The reality is that most luxe brands are now outsourced to China, India, Tunsia, Sri Lanka, Romania, Turkey, Bangladesh, and so on. In many cases, the label will have Italy or Paris written on it, but the fabric content and care label, will give the real country of origin. Items without a country of origin label; can be assumed to be outsourced, unless they are authentic vintage, and the item holds up to scrutiny in the textile, workmanship, and design.
With years of experience, in looking through racks of second hand clothing, the country of origin can often be recognized without even looking at the label. One of the rising values in the spectrum of the vintage fashion market is that – it is fast becoming the only place one can buy authentic luxury brand fashion items, from the original country of origin. Regardless of advertising to the contrary, there are inherent differences among the countries:
Canada & UK – tend to manufacture clothing of good quality and materials, however the style or design, often leaves much to be desired. Both countries have turned out some awesome luxury brand designers such as Frank Usher and Mulberry in Britain, and Claire Haddad and Wayne Clark in Canada. However, the frumpy, conservative and stodgy – is definitely in with the mix.
USA – with New York as a global fashion hub, the US has turned out many luxe brands, with vintage hats near the top of the list. Similar to Canada and Britain, there is generally good quality and workmanship, with some fantastic designs, and others to pass by.
China, Sri Lanka, Bangladesh – for the most part, the clothing is flimsy, fast fashion.
Japan – turns out the most beautiful textiles, with the kimonos being works of art. Textiles made in Japan, are not that common, but in my experience, tend to be of good quality and construction.
India – with a rich history in textiles, turns out the most beautifully embellished fabrics, using beads, embroidery, tiny mirrors, and appliqués, often on vibrantly coloured silks. The clothing is usually casual, like the summertime free flowing dresses and skirts, so commonly seen. The problem is – so much of the clothing from India, does not have proper closures. If they do, they may not line up quite right. In my opinion, it is like there is greater focus on the textile, than there is on the garment construction.
Switzerland & Belgium – are at the top of the list when it comes to cost of labor. Dries Van Noten is a luxe brand originally from Belgium, and now outsourcing to India. I have items from this designer, from both Belgium and India, and do notice a difference.
Germany – has made luxe brands such as Louis Feraud, and Escada (originally made in Germany, now made in India) and several other well known brands. They tend to make quality clothing, with some great historical designers, but with a tendency (like Canada and the UK) to maintain high values for quality, practicality and common sense.
Australia & New Zealand – are also very high in labour cost. Similar to Canada, and Britain, they tend to make clothing of good quality and workmanship. I seldom come across things from Australia and New Zealand, and have only picked up a few items made there.
Italy & France – I concentrate on finding clothing made in Italy and France especially, and would estimate less than 1% of items in the second hand market are made in France. There are a half a dozen French labels I don’t buy when they turn up, such as Morgan de Toi and Copine. Some of the Italian labels are also categorically not worth buying. But, for the most part, the best clothing items, superior in fabric, quality, design and workmanship – are made in Italy or France.
In summary, Italy and France can never be displaced, or replaced – when it comes to the innate and historical savour-faire in the soigné circles!
Copyright Valerie J. Hayes and Quiet West Vintage (2016). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.